Stopping by Fields on a Snowy Afternoon
You've obviously been here
since my last visit.
and I like what you've done
But is it landscape
or is it art?
It's all so confusing
with you coming from the other side.
Calligraphy, there on the contours of the field,
scribbling in stalks and stacks
left from the fall,
are visible in the distant upper levels
of the canvas,
If it is a canvas.
But, it's the wash of thin white,
just a sift of snow,
(or is it white,)
that erases the visual samsara
and beckons to me from beyond the pale.
But I can't.
I am per pale.
We've been split like a schist.
Here I am and there you are,
parallel.
http://tinyfarmblog.com/wp-content/uploads/2008/01/win07_snowy_field_january1.jpg
http://www.ntoddblog.org/photos/winter/shadowsonthehille.html
Sunday, February 28, 2010
Saturday, February 27, 2010
While Eating a Pear by Billy Collins
While Eating a Pear, by Billy Collins
After we have finished here,the world will continue its quiet turning,
and the days and months will pass
without the names of Norse and Roman gods.
*
Time will go by the way it did
before history, pure and unnoticed,
a mystery that arose between the sun and moon
before there was a word
for dawn or noon or midnight,
*
before there were names for the earth's
uncountable things,
when fruit hung anonymously
from scattered groves of trees,
light on the smooth green side,
shadow on the other.
without the names of Norse and Roman gods.
*
Time will go by the way it did
before history, pure and unnoticed,
a mystery that arose between the sun and moon
before there was a word
for dawn or noon or midnight,
*
before there were names for the earth's
uncountable things,
when fruit hung anonymously
from scattered groves of trees,
light on the smooth green side,
shadow on the other.
Tuesday, February 23, 2010
Sweet Talk by Billy Collins
You are not the Mona Lisa
with that relentless look.
Or Venus borne over the froth
of waves on a pink half shell.
Or an odalisque by Delacroix,
veils lapping at your nakedness.
You are more like the sunlight
of Edward Hopper,
especially when it slants
against the eastern side
of a white clapboard house
in the early hours of the morning,
with no figure standing
at a window in a violet bathrobe,
just the sunlight,
the columns of the front porch,
and the long shadows
they throw down
upon the dark green lawn, baby.
http://www.hermes-press.com/collins2.htm
with that relentless look.
Or Venus borne over the froth
of waves on a pink half shell.
Or an odalisque by Delacroix,
veils lapping at your nakedness.
You are more like the sunlight
of Edward Hopper,
especially when it slants
against the eastern side
of a white clapboard house
in the early hours of the morning,
with no figure standing
at a window in a violet bathrobe,
just the sunlight,
the columns of the front porch,
and the long shadows
they throw down
upon the dark green lawn, baby.
http://www.hermes-press.com/collins2.htm
Labels:
beauty,
Billy Collins,
Delacroix,
Edward Hopper,
love,
Mona Lisa,
poems,
poetry,
Venus
Wednesday, February 17, 2010
Days by Billy Collins
DAYS
Each one is a gift, no doubt,
mysteriously placed in your waking hand
or set upon your forehead
moments before you open your eyes.
Today begins cold and bright,
the ground heavy with snow
and the thick masonry of ice,
the sun glinting off the turrets of clouds.
Through the calm eye of the window
everything is in its place
but so precariously
this day might be resting somehow
on the one before it,
all the days of the past stacked high
like the impossible tower of dishes
entertainers used to build on stage.
No wonder you find yourself
perched on the top of a tall ladder
hoping to add one more.
Just another Wednesday
you whisper,
then holding your breath,
place this cup on yesterday's saucer
without the slightest clink.
- Billy Collins
Each one is a gift, no doubt,
mysteriously placed in your waking hand
or set upon your forehead
moments before you open your eyes.
Today begins cold and bright,
the ground heavy with snow
and the thick masonry of ice,
the sun glinting off the turrets of clouds.
Through the calm eye of the window
everything is in its place
but so precariously
this day might be resting somehow
on the one before it,
all the days of the past stacked high
like the impossible tower of dishes
entertainers used to build on stage.
No wonder you find yourself
perched on the top of a tall ladder
hoping to add one more.
Just another Wednesday
you whisper,
then holding your breath,
place this cup on yesterday's saucer
without the slightest clink.
- Billy Collins
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