Wednesday, July 7, 2010

The House of Desire by Sherley Anne Williams

THE HOUSE OF DESIRE

I
This is really the story of a 
sista who was very too-ga-tha
in everythang but life. You
see she was so too-ga-tha
she had nothang but
strife. Everyone thought

because she was so
too-ga-tha she didn't
feel pain and the men she went
with felt just the same. They got
to-gatha with her and then, once they
were, left in most un-togatha ways.

Her end was  a black one without pain,
tears of strife. She finally
concluded there's no earthly use in bein to-ga-tha
if it don't put some
joy in yo
life.

Sherley Anne Williams (1944-1999)

Sunday, April 18, 2010

God's Wheel by Shel Silverstein

God's Wheel

God says to me with kind of a smile,
"Hey how would you like to be God awhile
And steer the world?"
"Okay," says I, "I'll give it a try.
Where do I sit?
How much do I get?
What time is lunch?
When can I quit?"
"Gimme back that wheel," says God,
"I don't think you're quite ready yet."
Shel Silverstein
Community Church Hong Kong

Saturday, March 27, 2010

The Hunt by Billy Collins

The Hunt

Somewhere in the rolling hills and farm country
that lie beyond speech
Noah Webster and his assistants are moving
across the landscape tracking down a new word.

It is a small noun about the size of a mouse,
one that will be seldom used by anyone,
like a synonym for isthmus,
but they are pursuing the creature zealously

as if it were the verb to be,
swinging their sticks and calling out to one another
as they wade through a field of waist-high barley.
Billy Collins
Questions About Angels ISBN: 0-8229-5698-5


Skomer Island isthmus

Friday, March 26, 2010

Endangered by Billy Collins

Endangered


It is so quiet on the shore of this motionless lake
you can hear the slow recessional of extinct animals
as they leave through a door at the back of the world,
disappearing like the verbs of a dead language:


the last troop of kangaroos hopping out of the picture,
the ultimate paddling of ducks and pitying of turtledoves
and, his bell tolling in the distance, the final goat.

Billy Collins


  Snow-Leopard

Thursday, March 25, 2010

Weighing the Dog by Billy Collins


Weighing the Dog
It is awkward for me and bewildering for him
as I hold him in my arms in the small bathroom,
balancing our weight on the shaky blue scale,
but this is the way to weigh a dog and easier
than training him to sit obediently on one spot
with his tongue out, waiting for the cookie.
With pencil and paper I subtract my weight
from our total to find out the remainder that is his,
and I start to wonder if there is an analogy here.
It could not have to do with my leaving you
though I never figured out what you amounted to
until I subtracted myself from our combination.
You held me in your arms more than I held you
through all those awkward and bewildering months
and now we are both lost in strange and distant neighborhoods.
Billy Collins
Questions About Angels ISBN: 0-8229-5698-5


Wednesday, March 24, 2010

Candle Hat by Billy Collins

Candle Hat

In most self-portraits it is the face that dominates:
Cezanne is a pair of eyes swimming in brushstrokes,
Van Gogh stares out of a halo of swirling darkness,
Rembrant looks relieved as if he were taking a breather
from painting The Blinding of Sampson.

But in this one Goya stands well back from the mirror
and is seen posed in the clutter of his studio
addressing a canvas tilted back on a tall easel.

He appears to be smiling out at us as if he knew
we would be amused by the extraordinary hat on his head
which is fitted around the brim with candle holders,
a device that allowed him to work into the night.

You can only wonder what it would be like
to be wearing such a chandelier on your head
as if you were a walking dining room or concert hall.

But once you see this hat there is no need to read
any biography of Goya or to memorize his dates.

To understand Goya you only have to imagine him
lighting the candles one by one, then placing
the hat on his head, ready for a night of work.

Imagine him surprising his wife with his new invention,
the laughing like a birthday cake when she saw the glow.

Imagine him flickering through the rooms of his house
with all the shadows flying across the walls.

Imagine a lost traveler knocking on his door
one dark night in the hill country of Spain.
"Come in, " he would say, "I was just painting myself,"
as he stood in the doorway holding up the wand of a brush,
illuminated in the blaze of his famous candle hat.
Billy Collins
Questions About Angels ISBN 0-8229-5698-5 


Wikimedia - Goya's self-portrait 

    Tuesday, March 23, 2010

    ...forgetting how to look, learning how to read.

    FIRST READER

    I can see them standing politely on the wide pages
    that I was still learning to turn,
    Jane in a blue jumper, Dick with his crayon-brown hair,
    playing with a ball or exploring the cosmos
    of the backyard, unaware they are the first characters,
    the boy and girl who begin fiction.

    Beyond the simple illustrations of their neighborhood,
    the other protagonists were waiting in a huddle:
    frightening Heathcliff, frightened Pip, Nick Adams
    carrying a fishing rod, Emma Bovary riding into Rouen.

    But I would read about the perfect boy and his sister
    even before I would read about Adam and Eve, garden and gate,
    and before I heard the name Gutenberg, the type
    of their simple talk was moving into my focusing eyes.

    It was always Saturday and he and she
    were always pointing at something and shouting,
    “Look!” pointing at the dog, the bicycle, or at their father
    as he pushed a hand mower over the lawn,
    waving at aproned mother framed in the kitchen doorway,
    pointing toward the sky, pointing at each other.

    They wanted us to look but we had looked already
    and seen the shaded lawn, the wagon, the postman.
    We had seen the dog, walked, watered and fed the animal,
    and now it was time to discover the infinite, clicking
    permutations of the alphabet’s small and capital letters.
    Alphabetical ourselves in the rows of classroom desks,
    we were forgetting how to look, learning how to read.
    Billy Collins
    Questions About Angels ISBN 0-8229-5698-5 

    Fun with Dick and Jane

    Monday, March 22, 2010

    ...the picture postcard, a poem on vacation, ...

    American Sonnet

    We do not speak like Petrarch or wear a hat like Spenser
    and it is not fourteen lines
    like furrows in a small, carefully plowed field

    but the picture postcard, a poem on vacation,
    that forces us to sing our songs in little rooms
    or pour our sentiments into measuring cups.

    We write on the back of a waterfall or lake,
    adding to the view a caption as conventional
    as an Elizabethan woman’s heliocentric eyes.

    We locate an adjective for the weather.
    We announce that we are having a wonderful time.
    We express the wish that you were here

    and hide the wish that we were where you are,
    walking back from the mailbox, your head lowered
    as you read and turn the thin message in your hands.

    A slice of this place, a length of white beach,
    a piazza or carved spires of a cathedral
    will pierce the familiar place where you remain,

    and you will toss on the table this reversible display:
    a few square inches of where we have strayed
    and a compression of what we feel.
    Billy Collins

    Caribbean postcard

    Sunday, March 21, 2010

    inside his generous pocket of silence

    Shoveling Snow With Buddha

    In the usual iconography of the temple or the local Wok
    you would never see him doing such a thing,
    tossing the dry snow over a mountain
    of his bare, round shoulder,
    his hair tied in a knot,
    a model of concentration.

    Sitting is more his speed, if that is the word
    for what he does, or does not do.

    Even the season is wrong for him.
    In all his manifestations, is it not warm or slightly humid?
    Is this not implied by his serene expression,
    that smile so wide it wraps itself around the waist of the universe?

    But here we are, working our way down the driveway,
    one shovelful at a time.
    We toss the light powder into the clear air.
    We feel the cold mist on our faces.
    And with every heave we disappear
    and become lost to each other
    in these sudden clouds of our own making,
    these fountain-bursts of snow.

    This is so much better than a sermon in church,
    I say out loud, but Buddha keeps on shoveling.
    This is the true religion, the religion of snow,
    and sunlight and winter geese barking in the sky,
    I say, but he is too busy to hear me.

    He has thrown himself into shoveling snow
    as if it were the purpose of existence,
    as if the sign of a perfect life were a clear driveway
    you could back the car down easily
    and drive off into the vanities of the world
    with a broken heater fan and a song on the radio.

    All morning long we work side by side,
    me with my commentary
    and he inside his generous pocket of silence,
    until the hour is nearly noon
    and the snow is piled high all around us;
    then, I hear him speak.

    After this, he asks,
    can we go inside and play cards?

    Certainly, I reply, and I will heat some milk
    and bring cups of hot chocolate to the table
    while you shuffle the deck.
    and our boots stand dripping by the door.

    Aaah, says the Buddha, lifting his eyes
    and leaning for a moment on his shovel
    before he drives the thin blade again
    deep into the glittering white snow.
    Billy Collins



    Warm Nature by Jordy Roelofs

    Wednesday, March 17, 2010

    So it went — one gorgeous day lost after another While we sat like captives ...

    Spring in the Classroom

    Elbows on dry books, we dreamed
    past Miss Willow Bangs, and lessons, and windows,
    To catch all day glimpses and guesses of the greening woodlot,
    Its secrets and increases,
    Its hidden nests and kind.
    And what warmed in us was no book-learning,
    But the old mud blood murmuring,
    Loosening like petals from bone sleep.
    So spring surrounded the classroom, and we suffered to be kept indoors,
    Droned through lessons, carved when we could with jackknives
    Our pulsing initials into the desks, and grew
    Angry to be held so, without pity and beyond reason,
    By Miss Willow Bangs, her eyes two stones behind glass,
    Her legs thick, her heart
    In love with pencils and arithmetic.

    So it went — one gorgeous day lost after another
    While we sat like captives and breathed the chalky air
    And the leaves thickened and birds called
    From the edge of the world — till it grew easy to hate,
    To plot mutiny, even murder. Oh, we had her in chains,
    We had her hanged and cold, in our longing to be gone!
    And then one day, Miss Willow Bangs, we saw you
    As we ran wild in our three o'clock escape
    Past the abandoned swings; you were leaning
    All furry and blooming against the old brick wall
    In the Art Teacher's arms.

    by Mary Oliver

    photo provided by me

    Monday, March 15, 2010

    For the Children by Gary Snyder

    For the Children

    The rising hills, the slopes,
    of statistics
    lie before us.
    the steep climb
    of everything, going up,
    up, as we all
    go down.

    In the next century
    or the one beyond that,
    they say,
    are valleys, pastures,
    we can meet there in peace
    if we make it.

    To climb these coming crests
    one word to you, to
    you and your children:

    stay together
    learn the flowers
    go light

    Gary Snyder








    photo, of Sarah and her sisters, provided by me.

    poem by John Lavan

     

    Slowly

    I decided to tell you

    slowly
    when my Dad
    walked up the beach
    in baggy shorts and sandals
    on his last ever holiday
    he was fascinated by pebbles, shells,
    people passing in bright shirts
    and he smiled in the sun
    taking all the time
    in the world to
    walk and look:
    slowly

    I decided to tell you.

     photo by Urban Expressions http://www.facebook.com/photo.php?pid=5172466&id=213577705557

    it will probably be a fish,

    The Art Of Drowning

    I wonder how it all got started, this business
    about seeing your life flash before your eyes
    while you drown, as if panic, or the act of submergence,
    could startle time into such compression, crushing
    decades in the vice of your desperate, final seconds.

    After falling off a steamship or being swept away
    in a rush of floodwaters, wouldn't you hope
    for a more leisurely review, an invisible hand
    turning the pages of an album of photographs-
    you up on a pony or blowing out candles in a conic hat.

    How about a short animated film, a slide presentation?
    Your life expressed in an essay, or in one model photograph?
    Wouldn't any form be better than this sudden flash?
    Your whole existence going off in your face
    in an eyebrow-singeing explosion of biography-
    nothing like the three large volumes you envisioned.

    Survivors would have us believe in a brilliance
    here, some bolt of truth forking across the water,
    an ultimate Light before all the lights go out,
    dawning on you with all its megalithic tonnage.
    But if something does flash before your eyes
    as you go under, it will probably be a fish,

    a quick blur of curved silver darting away,
    having nothing to do with your life or your death.
    The tide will take you, or the lake will accept it all
    as you sink toward the weedy disarray of the bottom,
    leaving behind what you have already forgotten,
    the surface, now overrun with the high travel of clouds.
    Billy Collins

     

    Sunday, March 14, 2010

    ...they are always standing in a semicircle/with their arms folded, ...

    Man in Space by Billy Collins

    All you have to do is listen to the way a man
    sometimes talks to his wife at a tableof people
    and notice how intent he is on making his point
    even though her lower lip is beginning to quiver,

    and you will know why the women in science
    fiction movies who inhabit a planet of their own
    are not pictured making a salad or reading a magazine
    when the men from earth arrive in their rocket,

    why they are always standing in a semicircle
    with their arms folded, their bare legs set apart,
    their breasts protected by hard metal disks.



    http://www.facebook.com/home.php?#!/photo.php?pid=4991788&id=213577705557&fbid=361454235557

    Friday, March 12, 2010

    time will drop its sail like a clipper in a lagoon

    Song of the Current at Cape Horn

    Come ride the fish-bright
       swells of my flesh
    and lay-by in my limbs,
       greener than a glade.
    Run aground, sailor,
       in my dark, tussocked eyes
    swing round your mizzen,
       shipwreck in my thighs.

    Only, come to my harbor.
       Sweet is the port air.
    Time will drop its sail
       like a clipper in a lagoon.

    There's a berth in my hips
       as wide as the moon,
    a ribcage roomier than the sea,
       and here, awash
    between outcry and the deep blue,
       my plunging heart
    will fathom life from you.

       Diane Ackerman




    http://www.wainscoat.com/south-america/cape-horn5.jpg

    Tuesday, March 9, 2010

    Wild Geese by Mary Oliver

    Wild Geese by Mary Oliver

    You do not have to be good.
    You do not have to walk on your knees
    for a hundred miles through the desert, repenting.
    You only have to let the soft animal of your body
    love what it loves.
    Tell me about despair, yours, and I will tell you mine.
    Meanwhile the world goes on.
    Meanwhile the sun and the clear pebbles of the rain
    are moving across the landscapes,
    over the prairies and the deep trees,
    the mountains and the rivers.
    Meanwhile the wild geese, high in the clean blue air,
    are heading home again.
    Whoever you are, no matter how lonely,
    the world offers itself to your imagination,
    calls to you like the wild geese, harsh and exciting--
    over and over announcing your place
    in the family of things.



    photo provided by Urban Expressions - http://www.facebook.com/album.php?aid=203776&id=213577705557#!/photo.php?pid=4991785&id=213577705557

    Sunday, March 7, 2010

    "Nature loves our vacuum, blesses us with a bounty..."

    Not of This World by Sheri Hostetler

    I am like none of you. You must recognize
    deep in me how different I am. you're all
    Wonder Bread and drive-ins. I am fertile
    fields, head coverings, memories of martyrdom
    like yesterday, hymns without organ. The
    Bible whispers in my ear at night, it will
    not keep still.

    But my people do. Die Stille em Lande. We
    never talk. Quietly we move, quietly the
    fields are plowed, in quiet are the dishes
    washed, the sheets pulled taut, silently the
    hay flung high atop the wagons. Our horses
    clip clop in a virtual vacuum. All around
    us pins drop, and, still, we are still.

    Nature loves our vacuum, blesses us with a
    bounty you cannot imagine. Look at our barns,
    they are filled with sweet hay, hay without
    end, stacked fragrant, stacked sweet. We
    do not talk but we smell the sweetness of
    hay everyday, oh stranger, you know not what
    you are not.

    I am not like you. I talk with you, laugh
    with you, make love with you, break bread
    with you, I will even die with you. And my soul
    will rest atop a haymow on Weaver Ridge while yours
    goes to heaven.


    Friday, March 5, 2010

    more Billy Collins

    Forgetfulness

    The name of the author is the first to go
    followed obediently by the title, the plot,
    the heartbreaking conclusion, the entire novel
    which suddenly becomes one you have never read,
    never even heard of,

    as if, one by one, the memories you used to harbor
    decided to retire to the southern hemisphere of the brain,
    to a little fishing village where there are no phones.

    Long ago you kissed the names of the nine Muses goodbye
    and watched the quadratic equation pack its bag,
    and even now as you memorize the order of the planets,

    something else is slipping away, a state flower perhaps,
    the address of an uncle, the capital of Paraguay.

    Whatever it is you are struggling to remember,
    it is not poised on the tip of your tongue,
    not even lurking in some obscure corner of your spleen.

    It has floated away down a dark mythological river
    whose name begins with an L as far as you can recall,
    well on your own way to oblivion where you will join those
    who have even forgotten how to swim and how to ride a bicycle.

    No wonder you rise in the middle of the night
    to look up the date of a famous battle in a book on war.
    No wonder the moon in the window seems to have drifted
    out of a love poem that you used to know by heart.
    Billy Collins

    Monday, March 1, 2010

    Kismet by Diane Ackerman

                                "What can't be said can't be said,
                                      and can't be whistled either."
                                                       ~Wittgenstein


    Wittgenstein was wrong: when lovers kiss
    they whistle into each other's mouth
    a truth old and sayable as the sun,
    for flesh is palace, aurora borealis,
    and the world is all subtraction in the end.

    The world is all subtraction in the end,
    yet, in a small vaulted room at the azimuth
    of desire, even our awkward numbers sum. 
    Love's syllogism only love can test.

    But who would quarrel with its sprawling proof?
    The daftest logic brings such sweet unrest.
    Love speaks in tongues, its natural idiom.
    Tingling, your lips drift down the xylophone
    of my ribs, and I close my eyes and chime. 

    Sunday, February 28, 2010

    Stopping by Fields on a Snowy Afternoon by Jane Rohrer

    Stopping by Fields on a Snowy Afternoon

    You've obviously been here
       since my last visit.
        and I like what you've done
    But is it landscape
       or is it art?
    It's all so confusing
       with you coming from the other side.

    Calligraphy, there on the contours of the field,
       scribbling in stalks and stacks
       left from the fall,
       are visible in the distant upper levels
       of the canvas,
    If it is a canvas.
    But, it's the wash of thin white,
       just a sift of snow,
       (or is it white,)
       that erases the visual samsara
       and beckons to me from beyond the pale.
    But I can't.
    I am per pale.

    We've been split like a schist.
    Here I am and there you are,
       parallel.

    http://tinyfarmblog.com/wp-content/uploads/2008/01/win07_snowy_field_january1.jpg

    http://www.ntoddblog.org/photos/winter/shadowsonthehille.html

    Saturday, February 27, 2010

    While Eating a Pear by Billy Collins

    While Eating a Pear, by Billy Collins

    After we have finished here,
    the world will continue its quiet turning,
    and the days and months will pass
    without the names of Norse and Roman gods.
    *
    Time will go by the way it did
    before history, pure and unnoticed,
    a mystery that arose between the sun and moon
    before there was a word
    for dawn or noon or midnight,
    *
    before there were names for the earth's
    uncountable things,
    when fruit hung anonymously
    from scattered groves of trees,
    light on the smooth green side,
    shadow on the other.

    Tuesday, February 23, 2010

    Sweet Talk by Billy Collins

    You are not the Mona Lisa
    with that relentless look.
    Or Venus borne over the froth
    of waves on a pink half shell.
    Or an odalisque by Delacroix,
    veils lapping at your nakedness.

    You are more like the sunlight
    of Edward Hopper,
    especially when it slants
    against the eastern side
    of a white clapboard house
    in the early hours of the morning,
    with no figure standing
    at a window in a violet bathrobe,
    just the sunlight,
    the columns of the front porch,
    and the long shadows
    they throw down
    upon the dark green lawn, baby.

    http://www.hermes-press.com/collins2.htm

    Wednesday, February 17, 2010

    Days by Billy Collins

    DAYS

    Each one is a gift, no doubt,
    mysteriously placed in your waking hand
    or set upon your forehead
    moments before you open your eyes.

    Today begins cold and bright,
    the ground heavy with snow
    and the thick masonry of ice,
    the sun glinting off the turrets of clouds.

    Through the calm eye of the window
    everything is in its place
    but so precariously
    this day might be resting somehow

    on the one before it,
    all the days of the past stacked high
    like the impossible tower of dishes
    entertainers used to build on stage.

    No wonder you find yourself
    perched on the top of a tall ladder
    hoping to add one more.
    Just another Wednesday

    you whisper,
    then holding your breath,
    place this cup on yesterday's saucer
    without the slightest clink.

    - Billy Collins